Delve into the underground scene of LA and Tokyo through three documentary short films – Atomic Cafe: The Noisiest Corner in J-Town, Our Man in Tokyo: The Ballad of Shin Miyata, and Giant Robot: Kind of Like Home by award-winning filmmaker Akira Boch. How did a family-owned restaurant in LA’s Japan Town come to be the popular hang-out for the punk rock scene in the late 1970s?
When, by executive decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, 12-year-old Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture. – Rotten Tomatoes
CHILDREN OF THE SEA is the latest feature from Japan’s STUDIO4°C (known for Tekkonkinkreet, MFKZ, Mind Game, Animatrix, Batman: Gotham Knight, and others), and is directed by Ayumu Watanabe, with a score by award-winning composer and longtime Studio Ghibli collaborator Joe Hisaishi (Spirited Away, Howl’s Moving Castle, My Neighbor Totoro). CHILDREN OF THE SEA is adapted from the manga of the same name by author Daisuke Igarashi, which won the Excellence Prize at the Japan Media Arts Festival.
When you’re a bored teenager looking for thrills, sometimes the only thing you can turn to is rock ‘n roll. Having no skill, money, or even a full set of drums, a feared trio of high school delinquents nevertheless decide they are destined for musical glory in a quest to impress their only friend Aya, avoid a rival gang, and – most importantly – jam out.
After a long and unsuccessful struggle to get pregnant, Satoko and her husband decide to adopt a child. Over the next six years, the middle-class couple and their young son Asato settle into a comfortable, albeit routine, life. The family’s orderly existence is shattered by the arrival of Hikari, a young woman claiming to be Asato’s biological mother, demanding his return. As tensions mount, Satoko grows more and more emboldened to defend her family. – Rotten Tomatoes